a memoir told in borrowed images — childhood, pressure, and the things a family does not say.
a two-person film and image practice, working with artificial intelligence, based in istanbul.
in search of the feeling that stays after the light is gone.
a memoir told in borrowed images — childhood, pressure, and the things a family does not say.
four chapters of one life, photographed as if by accident.
five umbrellas and the sound of rain on a shelter roof.
the city keeps a polite distance between people.
a man, a door, and the exact weight of an ordinary task.
a flash in the dark garden. the date is part of the picture.
a memoir told in borrowed images — childhood, pressure, and the things a family does not say.
told as a video collage: home-video texture, borrowed light, a red bag that keeps returning. currently in production; festival premiere planned.
four chapters of one life, photographed as if by accident.
youth, daily life, middle age, old age — one couple, four seasons of the same feeling, shot in the language of amateur snapshots.
a flash in the dark garden. the date is part of the picture.
from an ongoing series of dated photographs — images that carry their own timestamp like a diary carries a margin.
1.afterimage —the image that remains in the eye after the light is gone.
zanzō is a two-person film and image practice, based in istanbul.
after years in photography and documentary production, we now make films and photographs with emerging artificial tools. many of our works begin as studies, small experiments in how a mood can be reached. what matters to us is not how an image is made, but what it makes you feel.
in search of the feeling that stays after the light is gone.
no afterimage here.
works